Overview
A Look at Gender Norms
Author: Vicky Xiong-Lor
Grades: 11-12
Suggested Amount of Time: 45-60 minutes
Area of Study: Hmong Ways of Knowing
Compelling Question
How do we understand the varied worldviews of peoples in Hmong communities?
Lesson Questions
- How do individual and collective experiences shape identity formation?
- Why are people who they are, and why do they do what they do?
- What factors shape people’s lives and make them who they are?
- Do societal and cultural norms benefit everyone equally?
Lesson Objective
Students will learn about the societal and cultural factors that shape people’s lives and make them who they are. Drawing on the experiences of Hmong girls, students will be able to critique and evaluate the ways inequities are upheld by society and cultural norms and make connections to their own lives.
Lesson Background
Every group of people have societal and cultural norms that we live by. These norms are based on societal expectations and are taught through our familial interactions. However, not all norms are for the benefit of the whole society. Norms can serve to uphold some and oppress others. The Hmong people have societal and cultural expectations that sometimes hinder what a Hmong woman can and cannot do or can and cannot be.
This lesson contains content that may be sensitive for some students. Teachers should exercise discretion in evaluating whether the resources are suitable for their class and provide a content warning to their students at the beginning of the lesson.
Image Citation: Yang, B. (2013). [Painting of the cycle of the Hmong soul]. What is the Hmong soul, Txhawb Hmong California Directory, 30, Fresno, CA. https://irp.cdn-website.com/b2871686/files/uploaded/Txhawb_2013.pdf
Skills
Ethnic Studies Theme
This lesson connects to the ethnic studies theme of identity from the Asian American Studies Curriculum Framework (Asian American Research Initiative, 2022). Students will explore their own identities, as well as the ways that society engages in stereotyping and discrimination. Students consider multiple aspects of how family and culture shape perceived and experienced gender identity. Educators may enhance this lesson by incorporating a deeper examination of Intersectionality and its relationship to power and oppression.
For additional guidance around ethnic studies implementation, refer to the Ethnic Studies Model Curriculum (2021) https://www.cde.ca.gov/ci/cr/cf/esmc.asp.
Materials
Supplies
- Access to laptop device
- Teacher slidedeck (optional)
- Teacher’s Guide: Analyzing Sound Recordings
- Journal or writing paper
- Additional materials will vary depending on student assessment choice (artwork, reflection essay, or presentation)
Reading
- “The Lives of the Children, A Good Hmong Girl” Podcast
Procedures
Use the recommended slide texts below to create a slidedeck or teachers may access the lesson slidedeck here and modify as needed: https://ucdavis.box.com/s/9in8fmfyxtc7uylfusnfv7gzb7m2ona2
- Warm-up: Write the term ‘norms’ on the board. Have students define the term and give some examples. Next do the same thing for the term ‘gender norms.’
- The teacher will introduce the lesson with a Zoom In Strategy (Tsom Kom Ze Ze, Saib Kom Zoo Zoo): “Class, we are going to look at a series of images (from the slidedeck) and you are going to decide what the picture is trying to tell us or teach us about. We will look at the picture by slowly revealing a little piece of it at a time until the whole picture is revealed.”
- Slide Context:
- Title Slide: (Slide 1)
- Hmong Identity: Hmong Girl’s Identity
- Explore: (Slides 2–6)
- Tell students: Take out your journal or a piece of paper. As we go through the slides, there are going to be questions for you to answer.
- For teacher: Take the time to go over each slide and have students jot down their thoughts for each question on the slides.
- Slide 2: What do you see? What do you think it is a picture of? What does this make you think of?
- Slide 3: What else do you see? Does seeing this new image help you to see the picture more clearly? Where do you think this is at and what do you think this picture might be about?
- Slide 4: What do you see now? What do you think will happen in this picture? Does this new clue help you at all? What do you want to know about this picture?
- Slide 5: What are your thoughts now? Does this change your mind about what you think it was before? Do you have any clue what’s happening in the picture?
- Slide 6: What new things are being revealed? What are those hands doing? Can they be tying something? Are they playing tug of war?
- Tell students: Take out your journal or a piece of paper. As we go through the slides, there are going to be questions for you to answer.
- Title Slide: (Slide 1)
- Engage: (Slide 7–13)
- For the teacher: Have students share in a pair or group what they wrote down and discuss their answers to the prompts in Slides 7–13.
- Slide 7: What do you think is happening now? What can they be doing? Who is going to win, if they are playing tug a war?
- Slide 8: What are all those hands doing? Where might they be going? Do you have any questions to ask about the picture so far?
- Slide 9: What time of year is this? Do you think this is the picture you have in your head? What are they doing?
- Slide 10: Does this look like a fun activity? Why are they pulling or tugging at the colored ropes? Are you curious about what’s going on?
- Slide 11: What else can you see? Why do you say that? What are they really doing? Do you know for sure?
- Slide 12: What do you see now? What’s going on in the picture?
- Slide 13: Why are these two hands reaching out for one another? What’s happening?
- Explain: (Slides 14–15)
- On slide 14, students will observe and write down their answer to the question on that slide.
- Slide 14: What is really going on?
- Slide 15: students will discuss as a large group what message the picture is trying to convey. Have students explain why they think this picture conveys that message.
- Teacher will use the following excerpt to explain the context of the Hlab Si artwork.
- This piece of artwork, created by Rachel Tshua Lor, depicts a Hmong woman trying to run away from being tied down by several hlab si (pronunciation: hlah-shi) or sashes. In the Hmong culture, these pink and green sashes are traditionally worn around your waist like a belt. They are beautiful and needed to adorn the Hmong outfits. While both Hmong men and women can wear them, this pink and green hlab si duo is mostly worn by the women. The sashes in the picture show the binding effect of the Hmong woman to cultural and societal norms.
- This is a representation of how Hmong women are ‘tied down’ by old norms and expectations of the Hmong culture. Part of these old norms that Hmong women are expected to follow partially come from sexist and biased views from the Hmong community. Each sash in this illustration depicts text that states common expectations, limitations, and restrictions of Hmong women, such as “You don’t need an education.” Back in the old days, Hmong women were very unlikely to pursue an education and mostly remained in the house. Some Hmong men expected their wives to just stay home and tend to other duties such as cooking, cleaning, raising the children, and other matters.
- Although Hmong women take pride in their nurturing and kind natures, they strive to be more than just a member of a household and long for a place to stand tall and be proud in the Hmong community. “The Hmong men can have a voice, why can’t our Hmong women be free from these ties?" Even after 45-plus years in America, many Hmong women are still tied down by cultural norms that limit their potential in life.
- Apply:
Slide 16: Listen to a section (about 5–10 minutes) of the oral history from “The Lives of the Children, A Good Hmong Girl” https://kaltura.uga.edu/media/t/1_l66zjl6v audio. Students will compare and contrast the stories from the audio to the artwork. Students will elaborate on their understanding of the audio and draw connections between the stories and the artwork in small groups.
Note to teacher: This podcast may contain some sensitive information, so teachers should review for appropriateness of content for their students.
- Students can track the similarities and differences through a venn diagram note catcher.
- For support on audio analysis, teachers can use the “Teacher’s Guide: Analyzing Sound Recordings” from the Library of Congress to Observe, Reflect, and Question https://ucdavis.box.com/s/f9mdfro5guq2a62z7jktd1zglwyir81w. If this is students’ first time using this form of analysis, take some time to go over it as they will be doing this in small groups.
- Provide opportunities to share out student notes and findings from their venn diagrams.
- Reflect: (Slide 17)
- Have students discuss in pairs/group the following Hlab Si Reflection Questions:
- What other norms are imposed on you as a person, a child, a student, a woman, a man, a mother, a father, a dignitary, etc.?
- Are there different norms for different people and why?
- What are some things that keep you from doing what you like or want to do?
- What challenges are you experiencing in your life?
- How might societal, cultural, and family norms play a role in how these challenges present themselves or affect you?
- Who is affected by cultural and societal norms?
- What is good/bad about cultural and societal norms?
- Who is most affected by norms?
- Have students discuss in pairs/group the following Hlab Si Reflection Questions:
- Evaluate (Slide 18)
- Using their responses to these questions, students will create a piece of artwork, reflection essay, or presentation that captures their lived experience. Provide students with choice to support their artistic ability (digital, paint, collage, photography, etc.).
- For the presentation option, students can create a visual, oral, or written presentation.
- Students can utilize audiovisual elements to enhance the presentation.
- For the presentation option, students can create a visual, oral, or written presentation.
- Once completed, allow students to do a gallery walk of their peers' products.
- Using their responses to these questions, students will create a piece of artwork, reflection essay, or presentation that captures their lived experience. Provide students with choice to support their artistic ability (digital, paint, collage, photography, etc.).
Assessments
Students will complete one of the following based on the Hlab Si Reflection Activity from class.
- Write a reflection essay based on their answers to the Hlab Si Reflection questions.
- Share their Hlab Si Reflection in the form of a presentation.
- Create a piece of artwork that captures their lived experiences (e.g., digital artwork, painting, photography, etc.)
Scaffolds
- Engagement: Consider the following method to support with lesson engagement:
- Create cooperative learning groups with clear goals, roles, and responsibilities
- Engage learners in assessment discussions of what constitutes excellence and generate relevant examples that connect to their cultural background and interests
- Representation: Consider the following method to support with multiple means of representation:
- Provide descriptions (text or spoken) for all images, graphics, video, or animations
- Use outlines, graphic organizers, unit organizer routines, concept organizer routines, and concept mastery routines to emphasize key ideas and relationships
- Action and Expression: Consider the following method to support in presenting their learning in multiple ways:
- Provide models or examples of the process and product of goal-setting
For additional ideas to support your students, check out the UDL Guidelines at CAST (2018) http://udlguidelines.cast.org.
Multilingual Learner Supports
- Emerging: Consider the following method to support with emerging students:
- Speaking: Ask simple who, what, when, where, yes/no, or either/or questions
- Expanding: Consider the following method to support with expanding students:
- Speaking: Prompt for academic language output
- When posing a question for discussion and writing, the teacher offers a coordinated response frame to support the use of particular grammatical structures and vocabulary.
- Speaking: Prompt for academic language output
- Bridging: Consider the following method to support with bridging students:
- Speaking: Require the use of academic language
- In response to a prompt, the teacher offers a sentence frame orally and/or in writing to support expression of student thinking. Frames are adjusted based upon specific grammatical structure, key vocabulary, content learning, and language proficiency level descriptors, etc. Frames are a temporary scaffold that require modification.
- Speaking: Require the use of academic language
For additional guidance around scaffolding for multilingual learners, please consult the following resources:
- English Learner Toolkit of Strategies, https://ucdavis.box.com/s/ujkdc2xp1dqjzrlq55czph50c3sq1ngu
- Providing Appropriate Scaffolding, https://www.sdcoe.net/educators/multilingual-education-and-global-achievement/oracy-toolkit/providing-appropriate-scaffolding#scaffolding
- Strategies for ELD, https://ucdavis.box.com/s/dcp15ymah51uwizpmmt2vys5zr2r5reu
- ELA / ELD Framework, https://www.caeducatorstogether.org/resources/6537/ela-eld-framework
- California ELD Standards, https://ucdavis.box.com/s/vqn43cd632z22p8mfzn2h7pntc71kb02
Enrichment
- Teachers can prompt students to explore the following related questions:
- How do the artwork and the audio show the ways women’s role has changed within the Hmong community and the larger society?
- What are the social problems and domestic policy that impact gendered aspects in American society?
- How have gender norms in the community changed over time?
- Enrichment opportunity related to the medium of expression:
- Students can explore and reflect on how art can be utilized to highlight a societal issue.
- For an extension activity, students will be given time to illustrate their own picture that sends a strong message about something or someone and the inequalities or inequities in life, school, society, etc. that certain groups experience.
Works Cited
Asian American Initiative. 2022. Asian American studies K-12 framework. https://asianamericanresearchinitiative.org/asian-american-studies-curriculum-framework/
Britt, K. 2020, May 11. English learner toolkit of strategies. California County Superintendents. https://cacountysupts.org/english-learner-toolkit-of-strategies/
California Department of Education. 2021. Ethnic studies model curriculum. https://www.cde.ca.gov/ci/cr/cf/esmc.asp
California Department of Education & English Learner Support Division. 2012. California English Language Development standards (Electronic Edition) kindergarten through grade 12 (F. Ong & J. McLean, Eds.). California Department of Education. https://www.cde.ca.gov/sp/el/er/documents/eldstndspublication14.pdf
California Educators Together. (n.d.). ELA / ELD framework. https://www.caeducatorstogether.org/resources/6537/ela-eld-framework
CAST. 2018. The UDL guidelines. http://udlguidelines.cast.org
Hampston Daly, C. (Executive Producer). 1995, September 21. A good Hmong girl [Episode 4]. The Lives of the Children [Radio Program]. Walter J. Brown Media Archives. https://kaltura.uga.edu/media/t/1_l66zjl6v
Library of Congress. (n.d.). Teacher’s guides: Analyzing sound recordings. https://www.loc.gov/static/programs/teachers/getting-started-with-primary-sources/documents/Analyzing_Sound_Recordings.pdf
San Diego County Office of Education. (n.d.). Providing appropriate scaffolding. https://www.sdcoe.net/educators/multilingual-education-and-global-achievement/oracy-toolkit/providing-appropriate-scaffolding#scaffolding
Tulare County Office of Education. (n.d.). Strategies for ELD. https://commoncore.tcoe.org/Content/Public/doc/Alpha-CollectionofELDStrategies.pdf