Dance as Cultural Memory

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    Dance as Cultural Memory

    The Cambodian Arts Preservation Group dance troupe performs the Blessing Dance

    Author: Christine Tasche
    Grades: 9-10

    Suggested Amount of Time: 120 minutes
    Area of Study: Community Building and Healing

    Compelling Question
    • How did Cambodians build communities to thrive and heal in the United States?

    Lesson Question
    • How has the Cambodian community used traditional dance to stay connected to their cultural past?

    Lesson Objective

    In this lesson, students will gain an understanding of elements, purpose, and cultural significance of traditional Cambodian dance. Students will also explore why traditional dance is considered a crucial link to Cambodian history and how efforts to preserve it have been made by refugees. Finally, they will develop skills in using primary and secondary sources to express their thoughts both orally and in writing.

    Lesson Background

    In this lesson, students will learn about classical Cambodian dance and its importance to the Cambodian diaspora, specifically in the United States. Cambodian classical dance continues to be a means of expression and cultural preservation, as young children are taught the music and dance of their ancestors.

    “Classical dance has particular significance for Cambodian refugees. In April of 1975, as the US left Southeast Asia, the Khmer Rouge took control of Cambodia. In the next four years an estimated 2 million Cambodians died as a result of murder, starvation, and disease. Among those killed were the elites and educated. Only a handful of dancers and musicians survived this period. When their ancient enemies, the Vietnamese, entered the country in 1979, those fleeing as refugees believed that their culture was destroyed forever. Cambodians all over the world felt a tremendous urgency to preserve what culture was left. Teaching the dance to the next generation was a priority and seeing these young people learning and performing the court dance was like seeing their ancestors rise from the ashes.” Needham,S., Andes, J., Rodriguez, B. 2004. Socialization in a Cambodian-American Dance Class. [Paper presented at the 2004 annual meetings of the Southwestern Anthropological Association, CSU Dominguez Hills]. 

    Image Citation: Salazar, A., & Salazar, A. (2023i, November 18). The Cambodian Arts Preservation Group dance troupe - Historical Society of Long Beach. Historical Society of Long Beach - Where History Lives! https://hslb.org/__capg-dance-troupe/

    Supplies
    • Post-it notes
    Photos
    • Refugee Camp Dance Group 
    • Image from collection of Hang Leng 
    • Image, Apsara Depiction 
    • Image, Postcard of Modern Classical Cambodian Dancers 
    • Image, from collection “Rebirth of dance in the camps”
    • Image from collection of Hang Leng 
    Videos
    • Cambodian-American Heritage Dancers with Chum Ngek Ensemble  
    • Danielle Khim 
    Readings

    Welcome/Inclusion Activity:

    • Invite students to consider their preferred mode of artistic expression – singing, playing instruments, dance, acting, drawing, etc. 
    • Ask students: How do they feel when they engage in this activity? How did they learn this activity? Are they still learning and getting better?
    • This could be done with partners or in small groups, selecting a few volunteers to share to the whole-class.

     

    Vocabulary Building:

    • Teacher should introduce the following vocabulary terms to the class:
      • Apsara: a heavenly spirit, represented by a beautiful female dancer.
      • Diaspora: the populations around the world of people from a specific culture or homeland.
      • Culture: the customs, arts, social institutions, and achievements of a particular nation, people, or other social group.
      • Refugee: a person who has been forced to leave their country in order to escape war, persecution, or natural disaster.
      • Traditional: passed on from generation to generation.
      • Community: a group of people living in the same place or having a particular characteristics in common.
    • If time permits, provide opportunities for engaging with the vocabulary. Students can create Frayer vocabulary boxes for each term, or look up visual representations for each vocabulary word.

     

    Anticipation Guide: 

    • Provide physical/digital copies of the following images. If physical copies of images, post the pictures all around the classroom (similar to a gallery walk). If digital, share the photo/links on an accessible document.
    • Have students view all of the photos and jot down initial thoughts: 
      • What do you see?
      • What do you wonder? 
      • What can we learn about history from this photo?
    • Have students share their answer to the following question with a peer, then have a whole class discussion.
      • How has the Cambodian community used traditional dance to stay connected to their cultural past?
    • Provide students with the lesson background before proceeding to the next part of the lesson.

     

    Shared Learning:

    • Have students form groups of four. 
    • Use the following resources to engage students in learning about traditional Cambodian dance. Each student in the group will be assigned a particular source to analyze and answer the corresponding questions.
      • Student 1: Needham,S., Andes, J., Rodriguez, B. 2004. Socialization in a Cambodian-American Dance Class. [Paper presented at the 2004 annual meetings of the Southwestern Anthropological Association, CSU Dominguez Hills]. https://ucdavis.box.com/s/10iulj1ljnqmkbmuou6iw1yrmh3s3eui
        • Pages six through nine: These pages connect Cambodian history and culture to the study of traditional dance today. Some questions for discussion might include:
          1. According to the text, why do Cambodians around the world feel that it’s important to keep traditional dance alive?
          2. What are some details about how Sophiline Cheam Shapiro has helped to keep traditional Cambodian dance alive?
          3. Describe the Pin Peat. Does it remind you of any musical groups that you already know about?
      • Student 2: Cambodian-American Heritage Dancers with Chum Ngek Ensemble – Library of Congress  https://youtu.be/onkS06S4UVY?t=4232 (Start at 1:10:32)
        • This clip explains the traditional hand movements in Cambodian dance. Some questions for discussion might include:
          1. How do the hand movements of traditional Cambodian dance tell a story?
          2. What do you notice about what the older woman in dark red is doing with the younger woman in blue and white? Why do you think she is doing this?
      • Student 3: Needham,S., Andes, J., Rodriguez, B. (2004). Socialization in a Cambodian-American Dance Class. [Paper presented at the 2004 annual meetings of the Southwestern Anthropological Association, CSU Dominguez Hills]. https://ucdavis.box.com/s/10iulj1ljnqmkbmuou6iw1yrmh3s3eui
        • Pages 18–22: Alex, a young Cambodian dance student. Some questions for discussion might include:
          1. Why did Alex’s parents enroll her in traditional Cambodian dance lessons?
          2. How did Alex improve her dancing skills over time?
          3. Why do you think it might be important for younger dancers to learn from older dancers? Can you think of other information that is passed down from older people to younger people?
      • Student 4: Guerra, C. 2023, May 3. “Two dance companies turn pandemic survival into evolution.” https://www.wbur.org/news/2023/05/03/angkor-dance-troupe-boston-ballet-pandemic?fbclid=IwAR0lxFZ78MoAqNRS8G5dZQzIg0bWr8nlT-Mzh4QxGsN7oXCymDufqbBYB-Y
        • Some questions for discussion might include:
          1. What is the Angkor Dance Troupe mindset on cultural preservation and its significance?
          2. What is the legacy that Angkor Dance Troupe hopes to achieve and pass onto future generations?
    • Once each student has finished reading their source and answering their questions, they will report back to the rest of the students in their group. The questions can be used to guide students in reporting back main ideas and takeaways. 

     

    Class Reflection/Assessment: 

    • Teachers will have the following questions posted on bulletin paper. Alternatively, questions can be posted on a digital platform such as Google Slides, or Padlet.
      • How is traditional Cambodian dance connected to Cambodian history?
      • What can we learn about Cambodian culture?
      • What can we learn about Cambodian history?
      • What can we learn about traditional Cambodian dance?
    • If the questions are posted on bulletin paper, provide each student with 4 post-it notes. Each student will construct their reflection response to all 4 questions and post it onto the bulletin paper. 
      • If this is completed digitally, each student will have to add their reflection response to the slide/page/section that the question is posted.
    • Once all students have finished adding their responses, have students review their peers' comments, noting commonalities or new learnings.
    • Have a class discussion about main takeaways from the lesson as it pertains to the questions. 

    Students will engage in a group reflection discussion by answering lesson questions, tying in the significance of traditional Cambodian dance to Cambodian culture and history.

    Engagement: Consider the following method to support with lesson engagement:

    • Prompt or require learners to explicitly formulate or restate goal
    • Provide prompts that guide learners in when and how to ask peers and/or teachers for help

     

    Representation: Consider the following method to support with multiple means of representation:

    • Make relationships between elements explicit (e.g., highlighting the transition words in an essay, links between ideas in a concept map, etc.)
    • Offer clarification of notation through lists of key terms
      • Take time to explicitly teach vocabulary over several days, with opportunities for oral rehearsal with classmates. Leave vocabulary posted in the room and take advantage of opportunities to integrate into discussions and quick writes. 

     

    Action and Expression: Consider the following method to support in presenting their learning in multiple ways:

    • Provide differentiated feedback (e.g., feedback that is accessible because it can be customized to individual learners)
    • Provide alternatives in the requirements for rate, timing, speed, and range of motor action required to interact with instructional materials, physical manipulatives, and technologies
      • Encourage multiple views & listens of resources. Allow time for students to orally process what they’ve seen and heard with partners.

     

    For additional ideas to support your students, check out the UDL Guidelines at CAST (2018). http://udlguidelines.cast.org 

    Emerging: Consider the following method to support with emerging students:

    • Reading: Provide a list of important concepts on a graphic organizer 
      • In a shared or interactive writing format, chart out characters, setting, problem, and events (including orientation, complication, and resolution). Add theme, as appropriate.
      • Brainstorm a list of words students would want to use to describe something. Use these words to create a word list.  These word lists will be used to construct a descriptive paragraph about a given topic.  

     

    Expanding: Consider the following method to support with expanding students:

    • Reading: Provide a content vocabulary word bank with non linguistic representations 
      • Students use a Frayer graphic organizer to support understanding of a key word or concept. Place the target word in the center amid four surrounding quadrants to support different facets of word meaning.

     

    Bridging: Consider the following method to support with bridging students:

    • Reading: Ask students to analyze text structure and select an appropriate graphic organizer for summarizing
      • Students are guided to notice how parts of text are connected using linking words and phrases, and how these words impact tone.

     

    For additional guidance around scaffolding for multilingual learners, please consult the following resources:

     

    1. Option for students to create a dance which represents a favorite myth/legend. Ask students to consider how they might teach others this dance – which methods of teaching might work best to teach a dance to someone else? 
    2. Option for older students to conduct independent research on related topics, such as traditional Cambodian dance costumes, crafting the elaborate headpieces, specifics about the PinPeat, etc. Allow student interest and ability to guide research topics and resources. 
    3. Read Aloud: Reicherter, D. 2015. The Cambodian dancer: Sophany’s gift of hope. Tuttle Publishing.

    Agopian, A., & Agopian, A. 2023b, October 13. Bas Relief depicting Dancers, Bayon - Historical Society of Long Beach. Historical Society of Long Beach - Where History Lives! https://hslb.org/dance/

    Agopian, A., & Agopian, A. 2023a, September 21. Jenet Vanniroth - Historical Society of Long Beach. Historical Society of Long Beach - Where History Lives! https://hslb.org/jenet-vanniroth-10/

    Britt, K. 2020c, May 11. English learner toolkit of strategies. California County Superintendents. https://cacountysupts.org/english-learner-toolkit-of-strategies/

    California Department of Education & English Learner Support Division. 2012. California English Language Development standards (Electronic Edition) kindergarten through grade 12 (F. Ong & J. McLean, Eds.). California Department of Education. https://www.cde.ca.gov/sp/el/er/documents/eldstndspublication14.pdf

    California Educators Together. (n.d.). ELA / ELD framework. https://www.caeducatorstogether.org/resources/6537/ela-eld-framework

    CAST. 2018 The UDL guidelines. http://udlguidelines.cast.org 

    Guerra, C. 2023, May 3. Two dance companies turn pandemic survival into evolution | WBUR News. WBUR.org. https://www.wbur.org/news/2023/05/03/angkor-dance-troupe-boston-ballet-pandemic?fbclid=IwAR0lxFZ78MoAqNRS8G5dZQzIg0bWr8nlT-Mzh4QxGsN7oXCymDufqbBYB-Y 

    Historical Society of Long Beach. (n.d.-b). dance in camps - Historical Society of Long Beach. https://hslb.org/?s=dance+in+camps

    Historical Society of Long Beach. (n.d.-c). Hang Leng - Historical Society of Long Beach. https://hslb.org/?s=Hang+Leng 

    Historical Society of Long Beach. (n.d.-b). Postcard of modern Classical Cambodian Dancers - Historical Society of Long Beach. https://hslb.org/?s=Postcard+of+Modern+Classical+Cambodian+Dancers+

    Library of Congress. 2017, June 30. Cambodian-American Heritage Dancers with Chum Ngek Ensemble [Video]. YouTube. https://www.youtube.com/watch?v=onkS06S4UVY 

    Needham,S., Andes, J., Rodriguez, B. (2004). Socialization in a Cambodian-American Dance Class. [Paper presented at the 2004 annual meetings of the Southwestern Anthropological Association, CSU Dominguez Hills]. https://drive.google.com/file/d/1Sfb9pBRuEOtRziUMkTud01QjUK1QAv2N/view?usp=sharing

    Salazar, A., & Salazar, A. 2023a, October 5. Dancers at Leng Hang’s dance studio - Historical Society of Long Beach. Historical Society of Long Beach - Where History Lives! https://hslb.org/dancers-at-leng-hangs-dance-studio/

    San Diego County Office of Education. (n.d.). Providing appropriate scaffoldinghttps://www.sdcoe.net/educators/multilingual-education-and-global-achievement/oracy-toolkit/providing-appropriate-scaffolding#scaffolding

    Tulare County Office of Education. (n.d.). Strategies for ELD. https://commoncore.tcoe.org/Content/Public/doc/Alpha-CollectionofELDStrategies.pdf 

    Supplementary Sources

    Historical Society of Long Beach. 2023b, June 16. Danielle Khim - Oral History [Video]. YouTube. https://www.youtube.com/watch?v=kJotqwDapGc 

    Historical Society of Long Beach. (n.d.). 1986 new year - Historical Society of Long Beach. https://hslb.org/?s=1986+new+year

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