Narrating Hmong Migration

    Overview

    Download Lesson

    Narrating Hmong Migration 

    Story cloth narrating Hmong migration from Hmongstory Legacy Collection.

    Authors: Thong Vang, Kaozong Mouavangsou, and Choua Xiong
    Grades: 2-3

    Suggested Amount of Time: 90–105 Minutes 
    *If the instructor chooses to utilize an object as the assessment, this lesson can be completed in two class periods. 
    Area of Study: Hmong Ways of Knowing

    Compelling Question
    • How do we understand the varied worldviews of peoples in Hmong communities? 

    Lesson Questions
    • What are different ways that culture and history are passed down from generation to generation? 
    • What practices do Hmong people use to preserve and tell their stories?
    • How have Hmong people explained where they are from, their geographies, and migrations?
    Lesson Objective

    Students will be able to understand the importance of intergenerational storytelling by listening and discussing with an elder family or community member. Students will explain and describe their own migration and/or daily life story as a way to practice narrating their own stories.

    Lesson Background

    Hmong history and cultural practices are largely passed down through storytelling. Storytelling is a way to preserve and maintain cultural, familial, and historical narratives. Storytelling can happen in many forms such as orally and through cloth. The Hmong story cloth serves as one medium for Hmong people to tell their stories of migration, daily life, etc. Hmong ways of knowing are informed by the places they have lived and their ways of life. Centering resilience, adaptation, and innovation within the Hmong community narrative, students will further understand the importance of storytelling in preserving cultural memory and history.

    Image Citation: Miller, S. (2015). [Photograph of early years of Hmong story cloths]. Shayle Miller Collection, The Hmongstory 40 Project / Hmongstory Legacy, Fresno, CA.

    Ethnic Studies Theme

    This lesson connects to the ethnic studies theme of reclamation and joy from the Asian American Studies Curriculum Framework (Asian American Research Initiative, 2022). Students explore the ways that communities reclaim histories through art, cultural expression, and counternarratives. Students explore how documenting our history through textiles and objects can help preserve identity, culture, and history.

    For additional guidance around ethnic studies implementation, refer to the Ethnic Studies Model Curriculum (2021)  https://www.cde.ca.gov/ci/cr/cf/esmc.asp.

    Historical Thinking Skill

    This lesson will facilitate student proficiency in evidence, one of Seixas’ historical thinking skills (Seixas & Morton, 2013). To help students see the crucial role traces play in the construction of history. Students consider that history is interpretation based on inferences made from primary sources. Primary sources can be accounts, but they can also be traces, relics, or records. Educators may enhance this lesson by having students explore Hmong story cloth as Hmong Indigeneity and cloth as land.

    Supplies
    • Poster paper or board
    • Object representative of family/community
    • Materials to create a story cloth: drawing, fabric, magazine cut outs, etc.
    • Early Hmong Story Cloth from Shayle Miller Collection
    • Family Migration Interview Questions 
    Reading
    • Hmong Story 40 Panel Exhibit A: The Story of Story Cloth 
    Video
    • Hmong textiles tell a story of vibrant culture on YouTube

    This lesson will be broken into two or three class periods. The first day will introduce the story cloth and intergenerational storytelling. On the second day, students will have in-class work time to create their own story cloth. (If the instructor selects an object as the assessment, they can skip day two. The last day will provide an opportunity for students to apply and share their stories.)

     

    Day One: Introduce storytelling through story cloth (30–35 minutes)

    1. Focus Learner (Hook) - Begin the lesson by showing pictures of Hmong story cloths, using the two sources provided below. 
      1. Hmong Story 40 Panel Exhibit A: The Story of Story Cloth  https://ucdavis.box.com/s/r9kl6cve59ytwjxmj2qdm3qe46i4g7ai 
      2. Early Hmong Story Cloth from Shayle Miller Collection  https://ucdavis.box.com/s/z1f4q3rfbj6y8j3u4jxpfp6zkgs7dqq4 

    Students will look and share what they See, Think, and Wonder. Write down their responses on a poster or the board. 

    1. Establish Connection - Ask students what they know about Hmong paj ntaub (story cloth) and what looks familiar about the images they see on the paj ntaub. 
    2. Establish Purpose - Explain to students that paj ntaub is one way how Hmong people tell their story. This explanation will provide an understanding of Hmong story cloths.
    3. Explore - Watch the documentary Hmong textiles tell a story of vibrant culture (12:18 minutes)  https://www.youtube.com/watch?v=Nqjubfc7fYg.
      • Questions for students to take notes on: Based on the documentary, what types of stories are told through cloths? 
        • Who is telling the stories? 
        • How does one learn about these stories? 
    4. Explain 
      • Discuss intergenerational storytelling and how Hmong families use this practice to preserve and pass down their own histories.
      • Explain to students how Hmong people are migrants in the United States.
      • Check for understanding with thumb’s up, thumbs down.
    5. Observe and Analyze - Revisit the previously shown story cloths. 
      • Examine and identify the features on the story cloths. 
      • Compare and contrast the two different story cloths. This can be done with a partner, or as a whole class discussion.
    6. Reflect
      1. Prompt students to discuss: 
        • What are some stories your family or community members have told you about your background?
        • What are some stories you heard from your family? 
      2. Share the lesson assessment with students. As students go through the lesson, have them keep in mind the end goal so they can begin thinking about their interviews. 
      3. Teacher will review the “Family Migration Interview Questions” below and choose at least two questions that students can use in their interview. Students are welcome and encouraged to formulate additional questions. 
        • Where is our family originally from? 
        • Do we have any family that still lives in this place? Why or why not?
        • What was this place like?
        • How and why did our family move here? 
        • What was this journey like? 
        • What was hard about the journey? What was exciting?
      4. If a teacher chooses to have students bring an object, they can utilize this time to brainstorm possible objects. 
      5. Consideration: Teachers should be mindful of this activity for students who may not have access to family members. Thus, they can frame this activity using community members as a way for students to broaden understanding of familial history. 
      6. Interview preparation: 
        • Inform students that they can begin their interviews immediately. 
        • Encourage students to voice record (with consent) or take copious notes as they sit with their interviewee. 

     

    Day Two: Shared Practice & In-class Work Time (30–35 minutes)

    1. Introduction: Teachers will prepare their own story cloth or object to share both visually and verbally with the class. This story cloth and verbal narration will serve as an example for students to model their own story cloth after. 
      • Teachers - Present a narrative through a drawing of your family migration.
      • Have students identify images/pictures in your story cloth. 
      • Tell your story to your students. 
    2. Brainstorm: Teacher will give students time in class to begin crafting and writing their story cloth. 
      • Students will be asked to brainstorm visuals or ideas about the stories they learned from their family or community members. 
      • If the teacher wants to utilize this lesson to write a three to five sentence narrative/presentation, this class period can be utilized to brainstorm and draft the sentences. 
    3. Close-out
      • Teacher will review the assignment (story cloth art and/or story cloth narrative).
      • Teachers will remind students that they will be presenting their story cloth. Encourage students to have talking points ready and allow for use of note cards during presentation.

     

    Day Three: Presentation (30–35 minutes)

    1. Introduction: Teacher will do a final check in on students' story cloths for comprehension and will also remind students the purpose of storytelling through cloth.
    2. Presentation: Students will present and share their story to the class.
      • Options for presenting: whole class presentation, video recording, Give One/Get One, Lines of Communication, small group discussion, or gallery walk
    3. Conclusion/Reflection: Have students summarize the stories they learned about from their peers, and to restate how Hmong practices of intergenerational storytelling can help us preserve and learn about our families’ and communities’ background and history. This can be done as an exit ticket or as a whole class share-out.

    Students will interview a family or community member about their family or community history and/or daily life. They will produce one of the following products: 

    • Create their own story cloth (drawing, fabric, magazine cut outs, etc.) to depict a story (chronological or present) about their family or community’s history and/or daily life. 
    • Bring or describe an object that tells their family or community’s history and/or daily life. 
    • Write or record three to five sentences that tell their family or community’s history and/or daily life. 
    • Engagement: Consider the following method to support with lesson engagement:
      • Make explicit links between information provided in texts and any accompanying representation of that information in illustrations, equations, charts, or diagrams

     

    • Representation: Consider the following method to support with multiple means of representation:
      • Provide descriptions (text or spoken) for all images, graphics, video, or animations
      • Provide physical objects and spatial models to convey perspective or interaction

     

    • Action and Expression: Consider the following method to support in presenting their learning in multiple ways:
      • Compose in multiple media such as text, speech, drawing, illustration, design, film, music, dance/movement, visual art, sculpture or video

     

    For additional ideas to support your students, check out the UDL Guidelines at CAST (2018)  http://udlguidelines.cast.org

    • Emerging: Consider the following method to support with emerging students:
      • Listening: Introduce cognates to aid comprehension
        • Students study the forms of words/word structure; draw words and phrases from the text that students will encounter and show them how shifts in word structure (i.e. suffix­ converge to convergent; diverge to divergent) affect meaning.

     

    • Expanding: Consider the following method to support with expanding students:
      • Listening: Use cognates to aid comprehension 
        • Students study the forms of words/word structure; draw words and phrases from the text that students will encounter and show them how shifts in word structure (i.e. suffix­ converge to convergent; diverge to divergent) affect meaning.

     

    • Bridging: Consider the following method to support with bridging students:
      • Listening: Extend content vocabulary with multiple examples and non-examples 
        • Students use a Frayer graphic organizer to support understanding of a key word or concept. Place the target word in the center amid four surrounding quadrants to support different facets of word meaning.

     

    For additional guidance around scaffolding for multilingual learners, please consult the following resources:

    1. Have students look at Ger Xiong’s collection of story cloths (https://www.gerxiong.com/work/the-stories-we-carry) and analyze the stories behind a couple of other story cloths. Discuss how documenting history through textiles and objects can help preserve identity, culture, and history. 

     

    1. Teachers can use this as an opportunity for comparison to similar art and needle work in other cultures for family pride and storytelling and compare to other cultural practices.

     

    1. Create a class book of all the stories shared by the students and their families for possible publication.

    American Initiative. 2022. Asian American Studies K-12 Frameworkhttps://asianamericanresearchinitiative.org/asian-american-studies-curriculum-framework/ 

    Britt, K. 2020, May 11. English learner toolkit of strategies. California County Superintendents.  https://cacountysupts.org/english-learner-toolkit-of-strategies/

    California Department of Education. 2021. Ethnic studies model curriculumhttps://www.cde.ca.gov/ci/cr/cf/esmc.asp 

    California Department of Education & English Learner Support Division. 2012. California English Language Development standards (Electronic Edition) kindergarten through grade 12 (F. Ong & J. McLean, Eds.). California Department of Education. https://www.cde.ca.gov/sp/el/er/documents/eldstndspublication14.pdf

    California Educators Together. (n.d.). ELA / ELD framework. https://www.caeducatorstogether.org/resources/6537/ela-eld-framework

    CAST. 2018. The UDL guidelines. http://udlguidelines.cast.org

    Miller, S. 2015. [Photograph of early years of Hmong story cloths]. Shayle Miller Collection, The Hmongstory 40 Project / Hmongstory Legacy, Fresno, CA. https://ucdavis.box.com/s/z1f4q3rfbj6y8j3u4jxpfp6zkgs7dqq4 

    San Diego County Office of Education. (n.d.). Providing appropriate scaffoldinghttps://www.sdcoe.net/educators/multilingual-education-and-global-achievement/oracy-toolkit/providing-appropriate-scaffolding#scaffolding

    Sexias, P. & Morton, T. 2013. The big six: Historical thinking concepts. Nelson Education.

    Tulare County Office of Education. (n.d.). Strategies for ELD. https://commoncore.tcoe.org/Content/Public/doc/Alpha-CollectionofELDStrategies.pdf 

    The Record: Stockton, CA. 2019, August 31. Hmong textiles tell a story of vibrant Culture [Video]. YouTube.  https://www.youtube.com/watch?v=Nqjubfc7fYg 

    Vang, P. L. 2015. Hmong Story 40 Panel Exhibit A: Story of story cloth. The Hmongstory 40 Project / Hmongstory Legacy, Fresno, CA. https://ucdavis.box.com/s/r9kl6cve59ytwjxmj2qdm3qe46i4g7ai 

    Supplementary Source

    Xiong, G. (n.d.). The stories we carryhttps://www.gerxiong.com/work/the-stories-we-carry

    Model Curriculum

    Standard(s)

    Grade(s)