Separation and Vietnamese Refugees

    Overview

    Separation and Vietnamese Refugees 

    The "boat people" of Vietnam risked everything to escape Communist control

    Author: Joseph Nguyễn
    Grades: 11-12

    Suggested Amount of Time: 60 - 90 Minutes
    Area of Study: Vietnamese Departures and Transit

    Compelling Question
    • How did Vietnamese build communities as they attempted to survive and traverse the hardships of life in transit?

    Lesson Questions
    • How do we understand the pain of separation and loss experienced by Vietnamese Americans who fled their homeland by boat?
    • What are the ways that we can analyze art, literature, poetry, and music to holistically analyze and understand the emotions of Vietnamese refugees?
    Lesson Objective

    Students will be able to summarize the experiences of the second wave of Vietnamese refugees (boat people) and identify major plot elements in the digital story, “The Boat” by Nam Lê and Matt Huynh by answering text dependent questions and completing a plot elements diagram.

    Lesson Background

    The term ‘Vietnamese boat people’ refers to a mass exodus of refugees who fled Vietnam by boat and ship following the end of the Vietnam War in 1975. The primary reasons behind this departure were political oppression, religious persecution, retribution by form of reeducation camps by the communist government, and worsening economic conditions brought on by the adoption of Soviet-style collective farming. Many of these refugees were South Vietnamese who had allied with the United States during the conflict and thus feared reprisals. The desperate nature of this emigration of over 1 million Vietnamese boat people was underlined by the perilous journey involved: crossing the sea often brought with it encounters with pirates, adverse weather conditions, and dangerous sea conditions, with an estimated 200,000 to 400,000 boat people perishing at sea.

    Among the Vietnamese boat people, a significant number were of Chinese descent, also referred to as Hoa. The ethnic Chinese had been an integral part of South Vietnam's economy, dominating industries such as trade and manufacturing. However, they began to face systematic discrimination and violence when the new government enacted policies to limit their economic influence and assimilate them into Vietnamese society. This anti-Chinese sentiment peaked with the Sino-Vietnamese War of 1979, resulting in an intensified exodus of ethnic Chinese by sea. For the Vietnamese refugees, both of Chinese and non-Chinese descent, the departure was filled with feelings of separation, loss, and longing. Many were leaving their homes and loved ones behind, often with no hope of return. The dangerous and uncertain journey was a painful sacrifice for the prospect of freedom and safety.

    Image Citation: Being in Iowa: Southeast Asian: boat people. (2020, September 23). Iowa Public Radio. https://www.iowapublicradio.org/arts-life/2012-08-13/being-in-iowa-southeast-asian-boat-people

    Ethnic Studies Theme

    This lesson connects to the ethnic studies theme of power and oppression from the Asian American Studies Curriculum Framework (Asian American Research Initiative, 2022). Students will consider war, migration and imperialism as contexts shaping citizenship and racialization. Teachers can enhance this lesson by having students explore the agency and resilience of Vietnamese refugees through multiple systems of oppression, including in Vietnam, the complex immigration/refugee processing process and later barriers to resettlement in America.

    For additional guidance around ethnic studies implementation, refer to the Ethnic Studies Model Curriculum (2021)  https://www.cde.ca.gov/ci/cr/cf/esmc.asp.

    Historical Thinking Skills

    This lesson will facilitate student proficiency in historical perspectives, one of Seixas’ historical thinking skills (Seixas & Morton, 2013). To demonstrate the use of evidence to write historical fiction that accurately conveys the beliefs, values, and motivations of historical actors. Students consider how taking the perspective of historical actors means inferring how people felt and thought in the past. It does not mean identifying with those actors. Valid inferences are those based on evidence.

    Supplies
    • History of the four stages of Vietnamese refugee experience slidedeck, suggested text in lesson
     Videos
    • Như Quỳnh - Đêm Chôn Dầu Vượt Biển (Châu Đình An) PBN 77
    Handouts

    Accompanying slides for this lesson may be found here: https://ucdavis.box.com/s/hl65m8bbvfra8lfcyirp4ml4v3b8jate 

    1. Cultural Energizer: Separation Activity (10–15 minutes)
      1. On a piece of paper, have students write down, in no particular order, 10 of the things they cherish the most.
        1. Optional: Students may also illustrate the things they cherish.
      2. Students will share with their group or pair about what they cherish most and why.
      3. Have a brief class discussion on things people cherish most and why.
      4. Next, have students think and choose carefully about two things they would eliminate:
        1. Teacher speaking points:
          1. “Strikeout two things you cherish. You will never have, see, or touch those things again.”
          2. “Strikeout two things you cherish again. You will never have, see, or touch those things again.”
          3. “Strikeout two things you cherish again. You will never have, see, or touch those things again.”
          4. “Strikeout two things you cherish again. You will never have, see, or touch those things again. You should only have two things you cherish left.”
          5. In between each strike-out, pairs or groups will have one minute to briefly share what they crossed out and why.
      5. Students will share in class what things they have left and why they chose those things.
      6. Possible discussion questions for whole class or in groups: 
        1. Why do you think we did this activity? 
        2. Rate the level of difficulty with this activity, and explain why.
        3. How do you think this relates to the boat people experience?
        4. If you had to leave your country (by boat) and never return, would this list be the same?
        5. What are some things your parents sacrificed that they may have cherished?
    2. Teacher Input - Delivery of historical context (10 minutes)
      1. The teacher will deliver a short presentation on the history of the four stages of Vietnamese refugee experience.
        1. Students should follow along by taking notes. 
      2. Suggested points for lecture included but are not limited to the following:
        1. Title: Thuyền Nhân và Chuyến Vượt Biên (The Vietnamese Boat People)
        2. Overview of Vietnamese Refugees
          1. Four waves:
            1. First Wave 1975: 125,000 wealthy, educated Vietnamese connected to the US government after the Fall of Saigon
              1. Operation Babylift
              2. Anyone with family that worked for American companies, NGOS, or organizations
              3. Those connected to the Republic of Vietnam (government + top military)
              4. Civilians who fled by boat fearing a communist bloodbath
            2. Second Wave 1975-late 1980s: ‘boat people’ refugees, mainly rural people and ethnic Chinese fleeing persecution
              1. Third Indochina War and Sino-Vietnamese War 1980
              2. Ethnic chinese discrimination
              3. Reeducation camps
              4. Special economic zones
              5. Religious and geographic discrimination
            3. Third Wave 1980-1995: Refugees processed through Ordinary Departure Program after 1979 Geneva Conference
              1. International community originally refused or ignored boat people crisis
              2. ODP made by United Nations in order to prevent more deaths at sea as international outrage spread
            4. Late 1980s-2000s: Refugees processed through Humanitarian Operation (HO)
              1. Amendment passed to allow families of freed reeducation camp prisoners (ex-RVN soldiers) to come to the US
    3. Interaction with first source (Đêm Chôn Dầu Vượt Biển) (20 min) 
      1. Background Context: Đêm Chôn Dầu Vượt Biển (Tonight You Bury Oil and Cross the Sea) is a poignant reflection on the experiences of Vietnamese boat people experience, who fled Vietnam by sea following the end of the Vietnam War. The song encapsulates the dangerous and uncertain journey these refugees undertook, often in overcrowded and ill-equipped boats, in search of safety and a better life. During this time, many refugees would bury oil near the shore and stockpile it in hidden boats that they bought, as they escaped communist police to go out to shore for a small chance of being able to be rescued by a neighboring Southeast Asian country. Many of these refugees had to leave behind loved ones and family, ironically, to bring other loved ones and family to freedom from persecution.
      2. Students will be given a handout (both in Vietnamese and English) of the song, “Đêm Chôn Dầu Vượt Biển” (“Tonight You Bury Oil and Cross the Sea”). See handout below. 
      3. Students will read aloud the lyrics together with the teacher as a class. 
        1. If the teacher can speak Vietnamese, singing or reciting the Vietnamese lyrics would also be helpful. 
        2. Vietnamese lyrics can be accessed here: https://genius.com/Nhu-quynh-em-chon-dau-vuot-bien-lyrics 
      4. Students will divide into groups and be assigned a different paragraph. Each group will annotate their section with the following guidelines:
        1. What is each line trying to say?
        2. What is the main idea of the stanza?
        3. Put yourself in the shoes of the composer. Based on the theme of separation and sacrifice, what do you think is trying to be expressed? 
        4. Based on the previous activity and your preliminary understanding of the boat people, what personal experiences and historical events can you imagine are attached to each line?
        5. This song was created and popularized in the Vietnamese refugee community in 1985. Why do you think this song was needed and made so popular in the community?
        6. Optional guiding questions to align with historical thinking skills: Whose perspective do these narratives represent? Where and when was this narrative developed? What is its context? Who benefitted or was harmed by the events described in these narratives?
    4. Interaction with second source (Như Quỳnh) (15 minutes) 
      1. Students will then watch the full musical performance by Như Quỳnh.
      2. They will add to their notes how the interpretive dance motions, scenes, musical tones, mood, etc. add to their preliminary analysis. 
        1. Video can be found at: https://www.youtube.com/watch?v=_g8csJl5U9E   
      3. Classes will come together and each group will share their findings.
    5. Cultural Production (15 – 20 minutes)
      1. Based on their interaction with the sources, have students brainstorm theme words that relate to the Vietnamese refugee experiences. Students can brainstorm with a partner. Solicit student responses and write down common theme words on the board. Some potential ideas might include: separation, sacrifice, love, and family. 
      2. Then, have students identify one theme word that they prefer to guide their assessment. 
      3. Using that selected theme word, students can choose from one of the following assessment options:
        1. Theme Cloud: Students will create a theme word cloud that includes the theme word itself, theme statements, and images or symbols that reflect the overall theme. 
        2. Written Reflection: Students will write a reflection on how the chosen theme word is present in the sources from the lesson, and is reflective of the broader Vietnamese refugee experiences.
        3. The final product can be open to a written, visual, or audio narrative.

    Students will identify one theme word that best describes the experiences of Vietnamese refugees. Using that guiding theme, students can choose from one of the following assessment options:

    • Theme Cloud: Students will create a theme word cloud that includes the theme word itself, theme statements, and images or symbols that reflect the overall theme. 

    • Written Reflection: Students will write a reflection on how the chosen theme word is present in the sources from the lesson, and is reflective of the broader Vietnamese refugee experiences.
    • Engagement: Consider the following method to support with lesson engagement:
      • Vary activities and sources of information so that they can be:
        • Personalized and contextualized to learners’ lives 
    • Representation: Consider the following method to support with multiple means of representation:
      • Provide electronic translation tools or links to multilingual glossaries on the web 
    • Action and Expression: Consider the following method to support in presenting their learning in multiple ways:
      • Provide graphic organizers and templates for data collection and organizing information 

    For additional ideas to support your students, check out the UDL Guidelines at CAST, 2018 http://udlguidelines.cast.org.

    • EmergingConsider the following method to support with emerging students:
      • Writing: Provide sentence frames with word and picture banks
        • In response to a prompt, the teacher offers a sentence frame orally and/or in writing to support expression of student thinking. Frames are adjusted based upon specific grammatical structure, key vocabulary, content learning, and language proficiency level descriptors, etc. Frames are a temporary scaffold that require modification. 
    • Expanding: Consider the following method to support with expanding students:
      • Writing: Teach and utilize the writing process 
        • Teacher works collaboratively with students to scaffold writing before they write independently. Teacher uses students’ understanding of narrative stages, specific vocabulary, and grammatical structures while questioning for precision. 
        • Construction of a prewriting outline of an informational report is scaffolded in three stages  
    • Bridging: Consider the following method to support with bridging students:
      • Writing: Require academic writing and the use of target academic vocabulary 
        • Apply domain­-specific vocabulary and general academic vocabulary in open sentence frames to perform functions, like describing or explaining, that target specific grammatical structures.

     

    For additional guidance around scaffolding for multilingual learners, please consult the following resources:

    1. Diary Entry - Students are to adopt a first person perspective and write a letter in the lens of a Vietnamese refugee. After the learnings from this lesson, have them highlight their takeaways in the letter as if they were sharing a day in their life. 
    2. Timeline - To better understand the process and routes, students can create a digital or paper timeline of the refugee experience. 

    American Initiative. 2022. Asian American Studies K-12 Frameworkhttps://asianamericanresearchinitiative.org/asian-american-studies-curriculum-framework/ 

    Britt, K. 2020, May 11. English learner toolkit of strategies. California County Superintendents.  https://cacountysupts.org/english-learner-toolkit-of-strategies/

    California Department of Education. 2021. Ethnic studies model curriculum. https://www.cde.ca.gov/ci/cr/cf/esmc.asp 

    California Department of Education & English Learner Support Division. 2012. California English Language Development standards (Electronic Edition) kindergarten through grade 12 (F. Ong & J. McLean, Eds.). California Department of Education. https://www.cde.ca.gov/sp/el/er/documents/eldstndspublication14.pdf

    California Educators Together. (n.d.). ELA / ELD framework. https://www.caeducatorstogether.org/resources/6537/ela-eld-framework

    CAST. 2018. The UDL guidelines. http://udlguidelines.cast.org

    Hoàng, D.N. 2016. Vietnam after the war. Asia Pacific Curriculum Canada. https://asiapacificcurriculum.ca/learning-module/vietnam-after-war 
     

    Lê, D. T. 1977. Khi tôi chết hãy đem tôi ra biển. Thivien.net. Retrieved July 28, 2023. https://www.thivien.net/Du-T%E1%BB%AB-L%C3%AA/Khi-t%C3%B4i-ch%E1%BA%BFt-h%C3%A3y-%C4%91em-t%C3%B4i-ra-bi%E1%BB%83n/poem-HOzjcYHxWxrVIh7rLtTBrw

    Như Quỳnh – đêm chôn dầu vượt biển. (n.d.). Genius. https://genius.com/Nhu-quynh-em-chon-dau-vuot-bien-lyrics 

    Như Quỳnh Paris by Night. 2021, April 10. Như Quỳnh - Đêm Chôn Dầu Vượt Biển (Châu Đình An) PBN 77 [Video]. YouTube. https://www.youtube.com/watch?v=_g8csJl5U9E   

    Hoàng, D.N. 2016. Vietnam after the war. Asia Pacific Curriculum Canada. https://asiapacificcurriculum.ca/learning-module/vietnam-after-war 

    San Diego County Office of Education. (n.d.). Providing appropriate scaffoldinghttps://www.sdcoe.net/educators/multilingual-education-and-global-achievement/oracy-toolkit/providing-appropriate-scaffolding#scaffolding

    Sexias, P. & Morton, T. 2013. The big six: Historical thinking concepts. Nelson Education.

    Tulare County Office of Education. (n.d.). Strategies for ELD. https://commoncore.tcoe.org/Content/Public/doc/Alpha-CollectionofELDStrategies.pdf 

    Supplementary Sources

    1954 - 1975 by Elvis Phương. (n.d.). www.youtube.com. https://www.youtube.com/watch?v=wTZPlQYD-CY

    Sài Gòn Ơi! Vĩnh Biệt - NGỌC LAN ( nhạc chất lượng cao lossless). (n.d.). www.youtube.com. Retrieved December 5, 2023. https://www.youtube.com/watch?v=AbdGbelEBjY

    Model Curriculum

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