Cambodian Popular Music

    Overview

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    Cambodian Popular Music 

    Photo of Sinn Sisamouth

    Author: Amira Noeuv
    Grades: 9-10

    Suggested Amount of Time: 90 minutes
    Area of Study: Cambodian Diaspora

    Compelling Question
    • What is the Cambodian diaspora and refugee experience?

    Lesson Question
    •  How is music a form of resiliency and community building? 

    Lesson Objective

    Students will listen to music as sociopolitical testimonies to analyze genocide—not only as physical violence, but also structural and cultural violence on a whole community.

    Lesson Background

    Cambodian popular music experienced a huge rise during the mid twentieth century. Western musical influences including jazz and rock ‘n roll combined with traditional Khmer music to bring about new popular musical styles and musicians. Singers like Sinn Sisamouth gained great popularity during this period. This rise of popular music took a dark turn in 1975 when the Khmer Rouge came to power and began to persecute musicians during the Cambodian Genocide.

    Image Citation: Don’t Think I’ve forgotten: Cambodia’s Lost Rock & Roll at the Aga Khan Museum (May 3, 2020). (n.d.). Aga Khan Museum. https://agakhanmuseum.org/programs/dont-think-ive-forgotten-cambodias-lost-rock-roll

    Ethnic Studies Theme

    This lesson connects to the ethnic studies theme of reclamation and joy from the Asian American Studies Curriculum Framework (Asian American Research Initiative, 2022). Students explore the ways that communities reclaim histories through art, cultural expression, and counternarratives.

    Students will explore how Cambodian American music became an avenue for cultural identity.

    For additional guidance around ethnic studies implementation, refer to the Ethnic Studies Model Curriculum (2022) https://www.cde.ca.gov/ci/cr/cf/esmc.asp.

    Supplies
    • Rubric 
    Videos
    • Ugly History: The Khmer Rouge Murders

    Various Songs from Popular Cambodian artists (1950s-present)
    • Archives khmer folk and pop music vol. 1.  
    • Dang by Chun Vanna 
    • Cambodian rocks [full album, 1996. Compilation] 
    • Cambodian old school music videos from the 1980s
    • Vannda - time to rise feat. master Kong Nay 

    Note to teacher: The goal of this lesson is to humanize survivors, refugees, and refugee families by demonstrating Cambodian American agency, resiliency, and power. It is to contextualize historical events in contemporary settings to show the ongoing impacts of mass atrocities and structural violence. It is also to learn about history and current events with different forms of knowledge products outside of traditional history textbooks.

    I. Cultural Energizer

    • Teachers should begin the lesson by asking students to reflect on one of their favorite songs that is school appropriate. 
      • Students should look at the lyrics for the song and find a reference to something in society.  
      • Ask students to get in pairs and share with a partner what someone might learn about current issues from the song they selected.
         

    II. Tapping into Prior Knowledge

    • Review the historical and sociopolitical background of Cambodia in the 1950s to early 1975 to provide context for the music produced during the time period.
      • Discuss the Cambodian Genocide (1975–1979) and its effects on cultural art forms; music during this time period were revolutionary songs in which we need to be sensitive about due to its potential in eliciting trauma, particularly amongst survivors. 
      • Teachers can utilize the lesson background to review or this video source: Ugly History: The Khmer Rouge Murders https://www.youtube.com/watch?v=8_TYFfkc_1U

     

    III. Interaction with first source: Khao I Dang - Chun Vanna & Cambodian music video from 1980s-early 1990s https://www.youtube.com/watch?v=NLFKcSv8k2E 

    • As a class, watch the video and lyrics two or three times.
    • Discussion Questions: 
      • What does this song tell us about refugees, their families, and life making practices?
      • How does this (contemporary) song pay homage to traditional and earlier popular music? 
      • What is the message the artist is trying to convey? 

     

    IV. Interaction with second source: VannDa - Time to Rise ft. Master Kong Nay https://www.youtube.com/watch?v=rvje5oblrLw 

    • Independently, students will watch this second music video and answer the same questions. 
    • Discussion Questions:
      • What does this song tell us about refugees, their families, and life making practices?
      • How does this (contemporary) song pay homage to traditional and earlier popular music? 
      • What is the message the artist is trying to convey?
    • Once students have finished listening and answering questions, have them discuss with a partner. Then, have a whole class discussion to check for understanding and compare answers. 
      • If time permits, teachers can have students compare and contrast the two songs.

     

    V. Assessment: Creative Response

    • Students will choose from one of the following creative writing options with the topic of 20th century Cambodian history.
      • Song lyrics or (spoken word) poem
        • Criteria for creative writing assignment
          • Theme - The writing should reflect Cambodian history or culture and be respectful
          • Accuracy - The content should be historically and culturally accurate, utilizing reliable sources
          • Creativity - Encourage students to use literary devices such as symbolism, metaphors, storytelling techniques
          • Structure and Form - The writing should follow a desired structure (i.e: rhyming scheme, stanza length) or form (i.e: free verse, ballad, sonnet)
    • The final writing product can be typed, handwritten, or recorded. 
    • Allow for opportunities to share and present to peers
      • The teacher can host an open mic and invite students to read their creative writing to the class
      • Students can record themselves reading their writing and post it onto a website platform such as Flipgrid 

    Students will choose from one of the following creative writing options: 

    • Song lyrics or (spoken word) poem 
    • Criteria for creative writing assignment

    Engagement: Consider the following method to support with lesson engagement:

    • Provide prompts that guide learners in when and how to ask peers and/or teachers for help
    • Display the goal in multiple ways 

     

    Representation: Consider the following method to support with multiple means of representation:

    • Provide multiple entry points to a lesson and optional pathways through content (e.g., exploring big ideas through dramatic works, arts and literature, film and media)
    • Provide written transcripts for videos or auditory clips

     

    Action and Expression: Consider the following method to support in presenting their learning in multiple ways:

    • Provide scaffolds that can be gradually released with increasing independence and skills (e.g., embedded into digital reading and writing software)

     

    For additional ideas to support your students, check out the UDL Guidelines at CAST (2018). http://udlguidelines.cast.org 

    Emerging: Consider the following method to support with emerging students:

    • Writing: Require vocabulary notebooks with non-linguistic representations or L1 translations 
      • During integrated ELD, teachers may sometimes offer strategic primary language support for EL students who are newcomers or at the earliest level of Emerging proficiency.

     

    Expanding: Consider the following method to support with expanding students:

    • Writing: Provide rubrics and exemplars to scaffold writing assignments 
      • Students investigate how authors of stories invite readers to make inferences about characters by showing what the character does instead of simply telling how the character is feeling.

     

    Bridging: Consider the following method to support with bridging students:

    • Writing: Require academic writing and the use of target academic vocabulary 
      • Apply domain­-specific vocabulary and general Academic vocabulary in open sentence frames to perform functions, like describing or explaining, that target specific grammatical structures.

     

    For additional guidance around scaffolding for multilingual learners, please consult the following resources:

    • Student led self-reflections. 
    • Contextualizing the history and experiences of the Cambodian genocide and diaspora relationally to American and world history through popular music. 
    • Creating music as a power and resilience practice. 
    • Opportunity for large and small class discussions.

    Asian American Initiative. 2022. Asian American Studies K-12 Frameworkhttps://asianamericanresearchinitiative.org/asian-american-studies-curriculum-framework/ 

    Borisot. 2014, January 24. Cambodian Cassette Archives khmer folk and pop music vol. 1. YouTube. Retrieved August 27, 2022.https://www.youtube.com/watch?v=JsGJ9yLfoWk  

    Britt, K. 2020c, May 11. English learner toolkit of strategies. California County Superintendents. https://cacountysupts.org/english-learner-toolkit-of-strategies/

    California Department of Education. 2022. Ethnic studies model curriculumhttps://www.cde.ca.gov/ci/cr/cf/esmc.asp 

    California Department of Education & English Learner Support Division. 2012. California English Language Development standards (Electronic Edition) kindergarten through grade 12 (F. Ong & J. McLean, Eds.). California Department of Education. https://www.cde.ca.gov/sp/el/er/documents/eldstndspublication14.pdf

    California Educators Together. (n.d.). ELA / ELD framework. https://www.caeducatorstogether.org/resources/6537/ela-eld-framework

    CAST. 2018 The UDL guidelines. http://udlguidelines.cast.org 

    ksambath10. 2011, July 13. Khao I Dang by Chun Vanna. YouTube. Retrieved August 27, 2022. https://www.youtube.com/watch?v=NLFKcSv8k2E  

    Nicolas Gabriel Jimenez Alvarez. 2015, March 2. Cambodian rocks [full album, 1996. compilation]. YouTube. Retrieved August 27, 2022. https://www.youtube.com/watch?v=i3QPTefh7bQ&list=PLghqX7XQuV4QDoh8thazX4XPRF882tChY&index=9

    San Diego County Office of Education. (n.d.). Providing appropriate scaffoldinghttps://www.sdcoe.net/educators/multilingual-education-and-global-achievement/oracy-toolkit/providing-appropriate-scaffolding#scaffolding

    Saphan, L. 2017. Cambodian Popular Musical Influences from the 1950s to the Present Day. In H. Shin and K. Lee (Eds.), Sounds from the Periphery: Modernity and Development of Asia Pop 1960-2000 (pp. 262-296). Chaeryun. 

    Styles YouTube. 2015, May 29. Cambodian old school music videos from the 1980s. YouTube. Retrieved August 27, 2022. https://www.youtube.com/watch?v=4p4eLAJFTZM&list=PLghqX7XQuV4QDoh8thazX4XPRF882tChY&index=2   

    TED-Ed. 2022, May 26. Ugly History: The Khmer Rouge murders - Timothy Williams [Video]. YouTube. https://www.youtube.com/watch?v=8_TYFfkc_1U

    Tulare County Office of Education. (n.d.). Strategies for ELD. https://commoncore.tcoe.org/Content/Public/doc/Alpha-CollectionofELDStrategies.pdf 

    VannDa Official. 2021, March 28. Vannda - time to rise feat. master Kong Nay (Official Music Video). YouTube. Retrieved August 27, 2022. https://www.youtube.com/watch?v=rvje5oblrLw 

    Supplementary Sources

    Pirozzi, J. (Director). (n.d.). Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll [Documentary Film]. Primitive Nerd, Harmony Productions, Pearl City.

    Model Curriculum

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