Hmong Worldview through Oral Traditions

    Overview

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    Hmong Worldview through Oral Traditions 

    A unique, live performance mixing spoken word by Tou Saiko Lee, and traditional music sung by his grandma, Youa Chang.

    Authors: Ger Thao, Ph.D. and Tou Saiko Lee
    Grades: 11-12

    Suggested Amount of Time: 120 Minutes
    Area of Study: Hmong Ways of Knowing

    Compelling Question
    • How do we understand the varied worldviews of peoples in Hmong communities?

    Lesson Questions
    • What are Hmong oral traditions?
    • What are Hmong paj lug (proverbs)?
    • How do we understand Hmong worldview through oral traditions?
    • What is kwv txhiaj/lug txhaj (Hmong poetry chants/songs)?
    • What are the different types of themes for kwv txhiaj?
    Lesson Objective

    Students will explore Hmong worldview through the oral traditions of Hmong proverbs (paj lug) and Hmong poetry songs (kwv txhia/lug txhaj). Students will analyze various examples of paj lug and learn the different themes and components that make up a kwv txhiaj and create their own.

    Lesson Background

    Proverbs and Hmong Worldviews: A worldview can be beliefs, values, stories and expectations from a particular perspective of the world around us, which can influence our decisions and reactions to the society around us. We can learn more of a Hmong worldview through oral tradition, such as Hmong proverbs and spoken word poetry.

    Image Citation: Lee, T. S. (n.d.). Fresh Traditions green [Photograph].

    Ethnic Studies Theme

    This lesson connects to the ethnic studies theme of reclamation and joy from the Asian American Studies Curriculum Framework (Asian American Research Initiative, 2022). Students explore the ways that communities reclaim histories through art, cultural expression, and counternarratives. Hmong arts, such as oral traditions, help Hmong maintain a sense of belonging and personhood in the absence of territory. Students discuss how cultural identity and language can be reclaimed through spoken poetry and hip hop. 

    For additional guidance around ethnic studies implementation, refer to the Ethnic Studies Model Curriculum (2021)  https://www.cde.ca.gov/ci/cr/cf/esmc.asp.

    • Supplies
      • Access to laptop device
      • Teacher Background/Notes on Kwv Txhiaj
        • Sample Hmong Poetry Spoken Words
        • Types of Themes for “Kwv Txhiaj” Poetry
        • Components of “Kwv Txhiaj” Hmong Poetry Singing
      • Teacher Background/Notes on Paj Lug
        • Hmong Proverb Examples
      • Create your own Kwv Txhiaj Activity
    • Videos
      • Hmong Chronicles: Fresh Traditions with Youa Chang and Tou SaiKo "Kws txhaj"
      • “Reclaiming Cultural Identity and Language through Hip Hop” TedxMinneapolis Talk
      • Kwv Txhiaj Sib Tuav Tes Mus Saib Dej Tsaws Tsag on YouTube
      • Pob Tsuas Lis Kwv Txhiaj Plees on YouTube 
      • Kwv Txhiaj Poob Teb Chaws on YouTube

    WELCOMING RITUAL/CULTURAL ENERGIZER (Day 1

    • Play: Hmong Chronicles: Fresh Traditions with Youa Chang and Tou SaiKo "Kws txhaj" (4:42 minutes) https://www.youtube.com/watch?v=G1PhcZh3BDE. This is a unique, live performance mixing spoken word by Tou Saiko Lee, and traditional music sung by his grandma, Youa Chang.
    • Ask: What do you notice about the two performers? What kind of performance do you observe?
      • Possible answers: 
        • One is young, one is old
        • One is rapping/spoken words, one is singing a song
        • Mixing of generation
        • Mixing of cultures
    • (Optional) Meet Tou Saiko Lee 

     

    INTERACTION WITH FIRST SOURCE 

    • Say: Kwv Txhiaj, or Hmong Song Poetry, is the art form that perhaps best captures the zeitgeist of Hmong culture. 
      • Teacher Background on Kwv Txhiaj: (provided by University of Wisconsin-Madison Students in African, 167): “Kwv Txhiaj, or Hmong Song Poetry, is the art form that perhaps best captures the zeitgeist of Hmong culture. Sung in such a way as to echo the instantly-recognizable tones of the qeej (or perhaps the qeej echos the kwv txhiaj), these compositions have been used to pass down history and culture. Often melancholy, they speak of longing: for loved ones who’ve passed away, for a lost homeland, or for a family that life has forced you to leave behind. Linguistically, these songs are incredibly rich, using the most advanced expressions, metaphors, and descriptions that the language offers. As such, kwv txhiaj can be difficult to understand, especially for the uninitiated. However, the payoff is extraordinary; kwv txhiaj capture emotion in a unique way, acting as a catharsis not just for an author or singer, but for a people. They are songs of mourning, yes, but they are also monuments to the resilience of Hmong around the globe, exquisitely beautiful even as they are impossibly sad.” 
    • Show students a few examples of Kwv Txhiaj (Hmong Song Poetry). The following links can be made available to students and have them choose one to watch:

     

    SHARED LEARNING

    1. Go over some Kwv Txhiaj Hmong Poetry Spoken Words. The following are common opening phrases of a Hmong chant that teachers can share with students. Any Hmong Kwv Txhiaj will start with one of these phrases:

    • “Nee Yai” (Hmong from Xiengkhuang)
    • “Yaw Xyong Naw” (Green Dialect Hmong Lao)
    • “Ua Cas” (Lus Taum Style)

    2. Go over types of themes for “Kwv Txhiaj” Poetry

    • Courting - About courting a mate for marriage 
      • kwv txhiaj plees 
    • Orphan - About Orphan experiences  
      • kwv txhiaj ntsuag 
    • Immigration - About leaving land to new land 
      • kwv txhiaj tsiv teb tsaws chaw 
    • Leaving - About leaving loved one(s) or home behind 
      • kwv txhiaj sib ncaim 
    • Mourning - For mourning the death of a loved one 
      • kwv txhiaj tuag 
    • Bride’s - About a new wife’s marriage story into the husband's family 
      • kwv txhiaj ua nyab 
    • New Years - To honor Hmong New Years  
      • kwv txhiaj noj tsiab peb caug 
    • Wedding - To honor traditional Wedding  
      • kwv txhiaj tshoob (kab tshoob kev kos)
    • Celebration - Support an achievement in celebration (graduation,  etc.)
      • kwv txhiaj txhawb nqa

    3. Components of “Kwv Txhiaj” Hmong Poetry Singing

    • Choose a Theme 
    • Choose Chant Regional & Melodic Style - lub suab seev 
    • Choose Proverb - lus paj lug 
    • Create Rhymes to words from proverb - cov lus sib dhos 
    • Create Lines with Meaning (positive or negative?) - lub ntsiab lus 
    • Create Stanzas (3–6) - cov txwm – ib zaj kwv txhiaj muaj 3 txwm, qhov tsawg, ntau yog 5–6 txwm 
    • Create Ending Line Advice to Close stanzas - lo lus xaus 

     

    COMMUNITY COLLABORATION (Day 2)

    • Say: paj lug, best translated as a proverb or an idiom, is a form of Hmong expressions that uses metaphors and symbolism to express wisdom. 
    • Teacher Background on Paj Lug: (provided by University of Wisconsin-Madison Students in African, 167): “A paj lug, best translated as a proverb or an idiom, is a form of Hmong expression that uses metaphors and symbolism to express wisdom. While these phrases can be difficult to understand, especially without the help of a native Hmong speaker, they are nevertheless an extremely rich resource for someone hoping to hone their language skills. First, the rich language of a paj lug offers an extended vocabulary, particularly in regard to traditional language that might otherwise fall outside of the vernacular. Secondly, the use of metaphors offers an exciting challenge to those looking to increase their comprehension skills through the multiple layers of interpretation can be challenging even for those fluent in the language! Lastly, each paj lug is deeply related to the cultural context of Hmong life. Thus, they represent a window into Hmong culture, teaching necessary background about Hmong values, traditions, and practices even as they help to improve language skills.”
    • Teacher to go over a few Hmong proverb examples:
      1. Example 1
        • Ua ruam thiaj txawj zov tsev, tsab ntse thiaj tau ua qhev.
        • Act unintelligent, to have more time to develop your own home
        • Act smart, to work like slaves with various places to roam.
      2. Example 2 
        • Suab neeg nrov dua suab xob, lus phem ntsim dua kua txob. 
        • People’s voices are louder than thunderstorming
        • hurtful words are spicier than hot peppers scorching
      3. Example 3 
        1. Tsis noj ces yuav tshaib plab, tsis yuav kwv yuav tij ces yuav poob dab. 
        2. If you don’t eat, you’ll be hungry for food
        3. if you reject family, ancestors will lose you,
      4. Example 4 
        • Ua qoob yeej muaj nroj, ua neeg nyob yeej khiav tsis dim txoj kev ploj.
        • Growing crops, will always have weeds to take
        • In this life you can’t escape making mistakes.
      5. Example 5 
        • Kaum leej tsom, tsis cuag yus qhov muag pom.
        • Even though ten people have witnessed to agree,
        • To truly believe, you need your own eyes to see.
    • We can learn more of a Hmong worldview through Hmong proverbs.
      1. Example 1 
        • Suab neeg nrov dua suab xob, lus phem ntsim dua kua txob.
        • People’s voices are louder than thunderstorming
        • hurtful words are spicier than hot peppers scorching
      2. Example 2 
        • Spicy peppers of Hmong meals can reference emotional pain.
        • Tsis noj ces yuav tshaib plab, tsis yuav kwv yuav tij ces yuav poob dab. 
        • If you don’t eat, you’ll be hungry for food
        • if you reject family, ancestors will lose you,
      3. Example 3 
        • Hmong believe in Ancestors and souls in the spirit world. 
        • Shamanism with nuance that some Hmong have converted to other religions.
        • Ua qoob yeej muaj nroj, ua neeg nyob yeej khiav tsis dim txoj kev ploj.
        • Growing crops, will always have weeds to take
        • In this life you can’t escape making mistakes.

     

    CULTURAL PRODUCTION

    I DO (Teacher Model)

    • Teachers walk students through how to create their own kwv txhiaj using the two examples provided below.
    • In each of the examples, have teachers and students practice identifying (highlight/or label) the components of “Kwv Txhiaj” Hmong poetry singing (theme, chant regional/melodic style, proverb, rhymes, lines with meaning, stanzas, ending line).
      • Creating your own Kwv Txhiaj Stanza (Example 1)
      • (1* Theme - Wedding)
      • (2* Chant - Ni Yai)
      • (3* Proverb)
        • Act unintelligent, to have more time to develop your own home
        • Act smart, to work as slaves with various places to roam.
      • (4* Rhyme line with proverb)
        • in your new life as one, don’t give more attention to phones,
      • (5* Meaning Line) “Being home, spending time together.”
        • Wish you many vacations and healthy gardens homegrown.
        • They will spend time together away and at home with the garden.
      • (6* 1 Stanza - For practice.)
      • (7* Ending Line - Advice)
        • Remember Family bonds are tight like Hmong tapestry sewn.
      • Example 1 Stanza
        • Ni Yai, 
        • in your new life as one, don’t give more attention to phones,
        • Act unintelligent, to have more time to develop your own home
        • Act smart, to work like slaves with various places to roam.
        • Wish you many vacations and healthy gardens homegrown.
        • Remember Family bonds are tight like Hmong tapestry sewn.
      • Creating your own Kwv Txhiaj Stanza (Example 2)
        • (1* Theme - Celebrate Graduation)
        • (2* Chant - Yall Xyong Naw)
        • (3* Proverb)
          • Growing crops, will always have weeds to take
          • In this life you can’t escape making mistakes.
        • (4* Rhyme lines with proverb)
          • We honor your hard work for years to graduate,
        • (5* Meaning) “Growing crops”
          • You can plant new seeds of success along lakes.
          • They can now go out to accomplish more after graduation.
        • (6* 1 Stanza - For practice)
        • (7* Ending Line - Advice)
          • Honor your parents, don’t forget to take breaks.
      • Example 2 Stanza
        • Yaw Xyong Naw,
        • We honor your hard work for years to graduate,
        • Growing crops, will always have weeds to take
        • In this life you can’t escape making mistakes.
        • You can plant new seeds of success along lakes.
        • Honor your parents, don’t forget to take breaks.
      • YOU DO (Students Try)
        • Student Task: Create your own Kwv Txhiaj Activity: Have students try the activity on their own. Provide this template for students or have them type this format on their own document.
        • (1* Choose a Theme - ???)
        • (2* Choose a Chant - ???)
        • (3* Choose a Proverb - ???)
        • (4* Type Rhyme line with proverb)
        • (5* Type Line with meaning that rhymes) 
        • (6* 1 Stanza - For practice.)
        • (7* Type Ending Line - Advice that rhymes)

     

    CONCLUSIVE DIALOGUE (Assessment and Evaluation)

    • Say: The process of oral traditions comes with “Practice with Repetition and Recording.” Provide students with ample time to practice and rehearse.
      • Begin practice and rehearsal - two lines at a time without looking
      • Move on the the next two lines
      • Try to memorize the entire stanza
      • Try to sing the lines
    • As a class, practice with the following sample kwv txhiaj:
      • Yaw Xyong Naw,
      • We honor your hard work for years to graduate,
      • Growing crops, will always have weeds to take
      • In this life you can’t escape making mistakes.
      • You can plant new seeds of success along lakes.
      • Honor your parents, don’t forget to take breaks.
    • As a final assessment, have students present their Hmong Poetry song using the following components:
      • Introduce your Kwv Txhiaj
      • Title
      • Theme
      • Project your voice
      • Add cadence
      • Present in a circle if possible
      • Present a few times until smooth
    • Presentations can take the form of: group presentations, whole class presentations, lines of communication, and/or video presentations. 
      • Grading can be based on the following criteria: effort, completion, voice projection, eye contact, key components of Hmong Poetry song.
      • Allow students to have notecards to support their presentations.
    • Allow the opportunity for students to ask presenters questions regarding their choice in theme/words and areas they enjoyed about their presentations. 

     Students will create and present their own Hmong Poetry song from an existing template that is rooted in the Hmong poetry examples. Presentations can take the form of group presentations, whole class presentations, and/or video presentations. 

    • Engagement: Consider the following method to support with lesson engagement:
      • Encourage and support opportunities for peer interactions and supports (e.g., peer-tutors)
      • Vary the social demands required for learning or performance, the perceived level of support and protection and the requirements for  public display and evaluation 

     

    • Representation: Consider the following method to support with multiple means of representation:
      • Provide visual and/or emotional description for musical interpretation
      • Make all key information in the dominant language (e.g., English) also available in first languages (e.g., Spanish) for learners with limited-English proficiency and in ASL for learners who are deaf

     

    • Action and Expression: Consider the following method to support in presenting their learning in multiple ways:
      • Embed coaches or mentors that model think-alouds of the process
      • Embed prompts to “show and explain your work” (e.g., portfolio review, art critiques)

     

    For additional ideas to support your students, check out the UDL Guidelines at CAST (2018)  http://udlguidelines.cast.org.

    • Emerging: Consider the following method to support with emerging students:
      • Listening: Use physical gestures to accompany oral directives
      • Speaking: Encourage participation in group chants, poems and songs

     

    • Expanding: Consider the following method to support with expanding students:
      • Listening: Give two step contextualized directions
      • Speaking: Use varied presentation formats such as role plays
        • Students demonstrate understanding of events or characters through roleplay

     

    • Bridging: Consider the following method to support with bridging students:
      • Listening: Confirm students’ prior knowledge of content topics 
        • With a focus on meaning­-making, students are prompted to think about what they already know in effort to help them learn something new.
      • Speaking: Include oral presentations in the content classroom

     

    For additional guidance around scaffolding for multilingual learners, please consult the following resources:

    1. WE DO - the class can create a class kwv txhiaj song to perform at a school or community event. 

     

    1. Have students use the flashcards activity found on this website  https://wisc.pb.unizin.org/lctlresources/chapter/kwv-txhiaj/ to familiarize themselves with small number of expressive terms, the type of language they will encounter more regularly in a kwv txhiaj. 

     

    1. Afterwards, read and translate the kwv txhiaj found on this website  https://wisc.pb.unizin.org/lctlresources/chapter/kwv-txhiaj/

     

    1. Listen to the sample kwv txhiaj NTSUAB VAJ ZOOV YAJ HAIS KWV TXHIAJ ZOO HEEV NTU #1 https://youtu.be/46uRiYUQJCQ. See how much students can understand.

     

    1. Invite a Hmong artist, such as Tou Saiko Lee, to come in and run a workshop for the individual classroom, grade level, or whole school. Students can learn more about Tou Saiko’s work here https://in-progress.org/lee-tou-saiko

    American Initiative. 2022. Asian American Studies K-12 Frameworkhttps://asianamericanresearchinitiative.org/asian-american-studies-curriculum-framework/ 

    Britt, K. 2020, May 11. English learner toolkit of strategies. California County Superintendents.  https://cacountysupts.org/english-learner-toolkit-of-strategies/ 

    California Department of Education. 2021. Ethnic studies model curriculum. https://www.cde.ca.gov/ci/cr/cf/esmc.asp  

    California Department of Education & English Learner Support Division. 2012. California English Language Development standards (Electronic Edition) kindergarten through grade 12 (F. Ong & J. McLean, Eds.). California Department of Education. https://www.cde.ca.gov/sp/el/er/documents/eldstndspublication14.pdf 

    California Educators Together. (n.d.). ELA / ELD framework. https://www.caeducatorstogether.org/resources/6537/ela-eld-framework

    CAST. 2018. The UDL guidelines. http://udlguidelines.cast.org

    GD Entertainment. 2022, February 1. Pob tsuas lis kwv txhiaj plees [Video]. YouTube https://www.youtube.com/watch?v=39pGLXfjjG4&t=15s

    Hmoob Txuj Hmoob Ci. 2018, March 4. Kwv txhiaj poob teb chaws [Video]. YouTube. https://www.youtube.com/watch?v=oKR-4zLO4Tc&t=38s

    Hmong Museum. 2018, March 9. Hmong chronicles: Fresh traditions with Youa Chang and Tou SaiKo "Kws txhaj" [Video]. YouTube. https://www.youtube.com/watch?v=G1PhcZh3BDE 

    Lee, T. S. 2022, September. Reclaiming cultural identity and language through hip hop [Video]. TedxMinneapolis.  https://tedxminneapolis.com/tou-saik-lee

    San Diego County Office of Education. (n.d.). Providing appropriate scaffoldinghttps://www.sdcoe.net/educators/multilingual-education-and-global-achievement/oracy-toolkit/providing-appropriate-scaffolding#scaffolding

    Thao, M.  2020, July 23. Kwv txhiaj sib tuav tes mus saib dej tsaws tsag [Video]. YouTube.  https://www.youtube.com/watch?v=3yoi-Heu_0A&t=69s 

    Tulare County Office of Education. (n.d.). Strategies for ELD. https://commoncore.tcoe.org/Content/Public/doc/Alpha-CollectionofELDStrategies.pdf 

    University of Wisconsin-Madison Students in African 671. (n.d.). Paj Lug-A Window into Hmong Culture. Resources for Self-Instructional Learners of Less Commonly Taught Languages. https://wisc.pb.unizin.org/lctlresources/chapter/paj-lug-a-window-into-hmong-culture/#:~:text=A%20 paj%20 lug%2C%20 best%20 translated,and%20symbolism%20to%20express%20wisdom

    University of Wisconsin-Madison Students in African 671. (n.d.). Kwv Txhiaj. Resources for Self-Instructional Learners of Less Commonly Taught Languages. https://wisc.pb.unizin.org/lctlresources/chapter/kwv-txhiaj/

    Supplementary Sources

    In Progress. (n.d.). Tou Saiko Leehttps://in-progress.org/lee-tou-saiko 

    Lee, G. Y. 1994–1995. Hmong world view and social structure - on Hmong religion and social organization. Lao Studies Review, 2, 44–60. https://www.garyyialee.com/culture-hmong-world-view 

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