SL.7.1

We Are Still Here, Fix the World People © Lyn Risling

We are Still Here, Fix the World People: Lesson 6 - Expression of Self - Art Inspired by Lyn Risling

7.VA:CN11, 7.VA:RE7.1, 7.VA:RE7.2, 7.VA:RE8, RI.7.7, W.7.1, SL.7.1, SL.7.2

In this final lesson of the art and Karuk language integrated unit, students will have the opportunity to create original artwork inspired by Lyn Risling’s painting We Are Still Here, Fix the World People. The lesson focuses on the use of symbolism in Indigenous art, encouraging students to integrate their personal, cultural, or ancestral expressions into their own creations. To begin, the teacher will revisit the subjects and symbols in Lyn Risling’s painting, such as the river, animals, plants, and ceremonial items, explaining their cultural significance. For example, the river represents life and the health of the people, animals can symbolize spiritual connections to fix the world ceremonies, and plants like acorns are essential traditional food. Building on this understanding of symbolism, students will create their own artwork that incorporates symbols or designs that hold personal or cultural meaning for them. Inspired by the composition of Risling’s painting, students will explore how these symbols can reflect themes of family, community, and identity. They will have the opportunity to experiment with colors, patterns, and symbols, reflecting on how their designs can express their unique connections to their culture and personal identity. This activity will help students recognize the power of art to communicate cultural values and personal stories. Once students complete their artwork, they can share their pieces with a learning partner or the class and explain the symbolism behind their artwork and the connections to their personal culture or identity by writing a brief artist statement. This will encourage students to reflect on their creative process and deepen their understanding of the role of art in expressing cultural connections.

We are Still Here, Fix the World People: Lesson 4 - Resilience and Healing

7.VA:CN11, 7.VA:RE7.1, 7.VA:RE7.2, 7.VA:RE8, RI.7.7, W.7.1, SL.7.1, SL.7.2

This lesson explores the significance of language revitalization in Indigenous communities, featuring the Karuk Language of northwestern California. Inspired by Lyn Risling’s painting “We Are Still Here, Fix the World People”, students will explore themes of resilience, survival, and cultural identity. Julian Lang, Karuk Linguist, describes the painting in the Karuk language providing students an experience to better understand how language serves as a critical tool for preserving culture and world view. This lesson emphasizes that language, once nearly lost due to violent colonization, was kept and has continued to be the focus for revitalization by the Karuk people as a pathway to healing and cultural reclamation. Students will gain an appreciation for the power of language in maintaining connections to heritage and+ the importance of supporting language preservation efforts. Ultimately, this lesson fosters an understanding of how language revitalization is not just about communication, but about reclaiming identity, community resilience, and promoting healing from the historical trauma of assimilation and systematic cultural erasure.

We are Still Here, Fix the World People: Lesson 3 - History and Survival

RI.7.7, W.7.1, SL.7.1

In this third lesson of the “We Are Still Here, Fix the World People” Unit, students will explore the colonial impacts of genocide on Indigenous peoples of Northwest California, focusing on the events surrounding the Gold Rush, the timber industry, indentured servitude and boarding schools. The central resource for this lesson will be the United Indian Health Services video, "History and Hope", which provides a powerful narrative of the suffering of Indigenous communities during this tumultuous period. Through this video, students will learn about the violence and displacement Indigenous peoples faced during the Gold Rush, where settler colonialism, greed for resources, and racial ideologies led to devastating consequences. The lesson will begin with a viewing of the History and Hope video, followed by a class discussion on the various forms of exploitation and violence faced by Indigenous groups, such as massacres, forced enslavement, and the destruction of their land and culture. After viewing the video and engaging in discussion, students will reflect on the emotional and social impacts of these historical events. Students will also engage in group discussions to explore the concept of genocide. By the end of the lesson, students will have a deeper understanding of the colonial forces that shaped the history of Indigenous peoples in Northwest California and the lasting effects of these historical traumas. They will be encouraged to think critically about their role in advocating for justice, equality, and healing in Indigenous communities today.

We are Still Here, Fix the World People: Lesson 2 - Lyn Risling, Karuk, Hupa, Yurok Artist

7.VA:CN11, 7.VA:RE7.1, 7.VA:RE7.2, 7.VA:RE8, RI.7.7, W.7.1, SL.7.1, SL.7.2

This is the second lesson of the “We Are Still Here, Fix the World People” Art and Karuk Language Integrated Unit. In this lesson, students will have a deeper understanding of the life, cultural influences, and artistic contributions of Lyn Risling, a prominent Native American artist from the Karuk, Yurok, and Hupa peoples in Northwestern California. Students will explore how Risling’s art reflects the traditions, cultural identities, and resilience of Indigenous peoples of northwestern California, and how it connects the past, present, and future of her community. Lyn Risling is a contemporary artist whose work draws deeply from her Indigenous heritage. Students will watch a short film about Lyn’s journey to becoming an artist and read a short biography. The film will introduce the cultural themes present in Lyn’s work, emphasizing how it celebrates the strong connection to the land, traditions, and the Indigenous experience in the face of colonization. Her artwork portrays themes of resilience, survival, and cultural continuity despite challenges, particularly after the colonization in the 1860s. Students will continue to apply the same vocabulary words from the first lesson and demonstrate new knowledge in partner activities in reflection of the video and biography.

We are Still Here: Notice Wonder Feel

7.VA:CN11, 7.VA:RE7.1, RI.7.7, W.7.1, SL.7.1

In this lesson, students will engage with the artwork "We Are Still Here, Fix the World People" by Lyn Risling, an artist from the Karuk, Hupa, and Yurok peoples of northwestern California. The painting reflects the strong connection these Indigenous communities have with the land, culture, and their ancestors, showcasing themes of resilience, survival, and cultural identity after colonization in the 1860s. The artwork features a vibrant background with a gradient of red to purple, reminiscent of a sunset or sunrise. In the center, there is a multigenerational family surrounded by images of ancestors in traditional "Fix the World" regalia. The family is encircled by a round border representing a river filled with dentalia shells, framed by a black and tan basket design. Other symbolic elements, like a white deer, an eagle, acorns, and a salmon, are placed in the corners, each carrying cultural significance. This lesson uses the "Notice, Wonder, Feel" strategy to guide students through their exploration of the painting. By focusing on what they notice about the artwork, what questions arise, and how they feel in response, students will gain a deeper understanding of the cultural symbols and the powerful narrative Lyn Risling is conveying through her art. The purpose of the lesson is not only to appreciate the aesthetic beauty of the piece but to also connect with its deeper meaning: the ongoing presence and cultural vitality of Native American communities, particularly the Karuk, Hupa, and Yurok tribes. Through this strategy, students will develop their observational and reflective thinking skills while learning about the significance of heritage, family, and resilience. As you guide the students through the "Notice, Wonder, Feel" process, encourage them to think critically and emotionally about the painting. Provide opportunities for them to ask questions and share their feelings, helping them connect the symbolism in the artwork to broader themes of cultural survival and connection to the land. This will not only enhance their understanding of the painting itself but also foster a greater respect for Indigenous traditions and histories.

This watercolor illustrates how refugees are a stateless people caught “neither here nor there.” Nguyễn, like many others, waited for the day when she would settle in a new country. Through light and shadow, the subdued color choices, and the imposing clock hovering over the two figures in tight quarters, the painting calls attention to a difficult life in waiting.

Intergenerational Trauma and Healing

RI.8.1, SL.7.1, SL.7.2

Students will be able to analyze the ways in which the Vietnam War has influenced and contributed to intergenerational trauma within the Vietnamese community and how the community engages in healing practices as a response to the trauma by engaging in a Socratic Seminar discussion.

Intergenerational Trauma and Healing

RI.8.1, SL.7.1, RI.9-10.1, W.9-10.4, SL.9-10.1, W.6.8

Students will be able to analyze and articulate how Hmong American history has influenced and contributed to intergenerational trauma within the Hmong community, and they will critically examine the long-term impacts on successive generations. Students will also be able to identify how the Hmong community has engaged in healing practices as a response to coping with the trauma and make connections with present-day society and their own lives in a Socratic Seminar discussion.

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